Pretty Bones Jefferson Vintage Collection Spring/May 2013 Lookbook

Pretty Bones Jefferson Spring May Collection 2013

For this spring, partly as result of having experienced how well some pieces looked next to each other on the rail at my market stall, I’ve decided to group these ones, which I’ve been holding for the online shop, as a “collection” to be presented together.

The 12 pieces here are full of the energy of Spring. There are a lot of floral elements, a good bit of green (my favourite colour), and a good bit of monochrome. Era-wise it’s mostly 1970s-1980s, but there is also present the style influence of 1940s, 1950s, and 1960s. The full dresses such as the red Laura Ashley and the green chiffon are very fairy-like, while the pencil skirts add a touch of crisp sophistication. Overall it’s keeping to a “spring garden” theme and some old Golden Age Hollywood glamour.

We shot most of the photos in my new room, which also has a back garden although it was too cold/windy to shoot there. Hopefully we’ll be able to take photos outdoors for the summer collection, if we do get a summer (oh you just never know in Ireland).

Little Benjamin “Goodluck” Ferdinand – Mr. hedgehog – makes a quick appearance in the collection in the second photo with the 70s black floral gown. He arrived from Russia recently from Olga, who makes wonderful original soft toys like him at her Etsy shop Wassupbrothers. I shall have more photos and talks of him soon.

I’ll be posting the collection at the shop over the next few days (one is already up). Hope you like these and please look out for more updates!

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Ulyana Sergeenko Haute Couture Spring 2013

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2_34I saw some of these images from Ulyana Sergenko’s spring 2013 haute couture collection on Vintage Life Magazine’s post the other day, and fell completely for them. I’ve been a long-time fan of Ulyana’s folklorish, Russianly romantic and whimsically imaginative creations (how many designers can pull off these chic aprons and bustles?), but this was the first time that I was actually witnessing a whole collection of hers, and I thought it was absolutely magnificent, and so enticing.

She’s describing this collection as “Scarlett O’Hara falling headfirst into The Wizard of Oz.” (the New York Times report here). Well, I thought the Scarlett O’Hara style was immediately apparent; with her signature “barbecue” wide straw hat and the Deep South voluminous skirt (I could hear the taffeta), the little parasol, and I suppose – “that look”. However I’m not that well-versed in The Wizard of Oz symbolism, and am somewhat less of a fan of The Wizard of Oz than of Gone with the Wind; so I’m definitely seeing more of the former inspiration.

I also read in some article, which I can’t seem to locate amongst my bookmarked pages at the moment, that the outfits were also decidedly Zorro-esque, which I hadn’t thought of but soon agreed. The use of black and wide sweeping sleeves, as well as some of the Spanish/Mexican accents, is so Zorro, isn’t it?

As for details, one has to love the vintage style case handbags – I mean she’s got squirrels on the yellow one! and kitties! Finding squirrels in the collection has made my day.

By the way, for the purpose of this post and to show that I’ve seriously studied the collection, I’ve chosen a favourite from the lookbook. It’s the ensemble with the black velvet big skirt, cinched in with folk floral belt (bustle?). I think it wins for me because I tend to be drawn by black with floral accents, and this one looks like such a classic, wearable piece (I may even be able to recreate it with one of my vintage black velvet skirts), and I love a cinched-in waist.

Here’s another view of the design on the runway:

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What do you think and have you got a favourite?

[For more images of Ulyan's Spring 2013 haute couture collection:

buro247.ru (complete lookbook though it's in Russian)

Fashionising.com (runway photos)

Diamondsanddust blog by Nicole Danielle (I think she did the collages!)]

Pyrethrum

My mother used to buy me pyrethrum flowers when I was ill or sad. Colours, and open flower heads, they worked. This time my pyrethrum is the hope to move out of Ireland as soon as I can – as I and my fiance – soon to be husband – can. It may take months, maybe a couple of years, but this thought will keep me alive as nothing else has. I will get away from this country’s terror and persecution upon women and girls.

Last time I checked, women and girls were not humans in this country. That is the law.

Wherever you are, I hope your women and girls are humans – not half-animals to be humoured and kept in check, but citizens.

(A close-up of one of the dresses in the upcoming vintage collection for the shop – I’m back to editing the photos now, out of love for life.)

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Secret Roses

vintage hairbrush, 1950s/1960s,

old hollywood dress, vintage hair brush, dressing table, vintage green dress, long hair

(Vintage 1940s style 1970s chiffon green Dress: April/May collection at my shop, coming soon

Vintage 1960s rhinestone necklace: thrifted)

Vintage 1950s/1960s hair brush: Dublin Brocante Market)

Another Brocante Market find here – a gorgeous vintage hair brush in a vanity set, that I incorporated into the shoot last week for my shop‘s upcoming vintage collection. It has quite a unique Art Deco style back, with a a star-bust optical lined cream-coloured plastic hard cover reminiscent of the elevator hall (or the elevator door, too, indeed) of the Empire State Building, the centre of which was left transparent in the shape of a rose bouquet, for the rose picture underneath to show through. With some luck I was able to remove this cover while trying to adjust it, and thus discovered the vivid, rich paper picture that I didn’t expect to be there! After taking the photo (which is the top picture here) I have had to replace the protective cover, but the awareness of these hidden roses has made this little gem so special to me.

In all the excitement of my happy accident I have somehow neglected to take a “proper” picture of the brush, which I shall remedy in a future post.

This vintage hair brush I think is from the late 1950s or early 1970s. There is another vintage hair brush that I’m planning to list on the shop soon, which is a good bit older, from the 1930s or 1940s but of a similar style, and is really too pretty and precious for me to keep. Its back has tiny silk embroidery upon silver satin!

Oh and there will be a 1950s hand mirror, as well…

But first I’m going to be editing these photos from last week and get the new vintage dress collection up (the green dress in the picture is one of the group). This is my first time working on a “collection” of dresses instead of on an individual basis, so it’s a bit daunting; but I think it really makes sense in the big picture.

A Spring Scarf for Mother

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I bought this gorgeous silk scarf at the February Dublin Brocante Market, printed with flowers and the months of the year. It was so lovely and delicate that I decided in the end to gift it to my mother, as it reminded me much of her – European florals and silk always do.

Since the florist company Calyx & Corolla was only founded in 1988, I think it was made in the 1990s, maybe sometime during the early part of the decade judging from the label. So it’s not really vintage, but I still think it’s quite a treasure – and…in ten years’ time…

I haven’t been able to find any other scarves that Echo made for Calyx & Corolla (there were a couple of Ebay listings for the same scarf which have been sold), so I wonder if it’s actually  rare – it is quite special looking isn’t it?

I also put in a “love” card for my mom that I made with lace. Thinking about making more of these for my Etsy boutique as they’re absolutely so much fun to design!

Speaking of the boutique, I’ve a collection of 12 vintage pieces for April/May coming up. We finished the main photoshoots for them last week, and I’ll be just taking some detail photos for them these few days before putting them up. It’s mostly 1970s , with a bit of 1960s aesthetic and a few 1980s selections; overall very flowery and very springy. I’ll be posting some previews here and on the Facebook page soon as well.

Oh and, hope everybody had a lovely, floral Easter! It was still cold/chilly here, but one can pretend summer’s on the way…in any case, the days are getting longer which I absolutely can’t complain about – think outdoor photos.

We drank deep of the Fountain of Vaucluse (said the plants)

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I finished re-reading (with many skips and skims) A. S. Byatt’s Possession yesterday, which has put me in a slightly strange, flowery mood. I realised again that despite having always admired the book, I never was really fond of any of the characters – neither the pair of contemporary (late 1980s) scholars Roland Michelle and Maud Bailey nor the Victorian poets/lovers Ash and LaMotte – perhaps the reason why all these years I didn’t think to own the book until now, which I did wonder at it from time to time, as this book  came up often in my thoughts. I read it the first time when I was 19, in one “standing” at a bookshop in a little college, in a big city, where I was taking piano lessons. I came home with Out of Africa instead, that I’ve always kept by me.

But I’ll definitely go over the story again more carefully.

I was at the Botanic Gardens with JEG on Monday, where we took the photos. We had meant to go on Sunday, but Sunday turned out to be Patrick’s Day (we never watch out for these special dates do we) and town was supposed to be a bit insane with the parades, so we re-scheduled. There was good sun early in the afternoon, but a steady drizzle and chill clouded over later on and we decided to hide mostly in the tropical section of the main greenhouse.

I was delighted by the tall Victorian white and glass greenhouses and wondered how they’ve not been given more mention as a place of attraction in Dublin – they are definitely worthy. The tropical gardens were especially fantastical – and softly moist and warm, as the philosopher Ludwig Wittgenstein must have also enjoyed while sitting on the steps during 1948 – 1949:

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We had been reading a bit of Ludwig Wittgenstein as a young man, in relation to the logician Bertrand Russell, so it was wonderful to see a connection here.

And more flowers and plants – I think I may want to have some wallpaper that looks like this, someday:

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Orange Jasmine/Lakeview Jasmine

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I also took a picture of where they had the sign “Australia” for the plants because it reminded me of the 19th century Australia, and my friend Mykal, who is a true Australian superman (I’m serious, there is photographic evidence) and warrior for human rights. It’s amusing to see how serious this little sign is, that seems to say “here’s the country you’ve been looking for”, in a convinced, Alice-in-Wonderland way…

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THE OUTFIT:

Circle skirt: Bella Agogo at Fusion Sunday Market

Black lace jacket:  NEXT

Black suede mary-janes: OFFICE

(The circle skirt is a purchase from Miss Bella Agogo’s stall at this month’s Fusion Sundays market, where I was selling as well as playing some music; I’m not sure whether it’s vintage – I think it may be a modern hand-made reproduction, but I loved the music note on the hem, and that it’s exactly my size, 22/23″ I think. )

(All photos by JEG and Lute al-Raad.)

Couple of photos from market

As I mentioned in the last post, I’ve been a little busy selling at a few markets in Dublin for the last few months. My stall is usually a mix of the vintage things from my online Etsy boutique and some selected contemporary second-hand…plus cake! I don’t think I had ever done so much baking in my whole life.

The cakes in the photos here, which were taken at the weekly Saturday Ha’penny Flea Market at the Grand Social Bar in town, are chocolate banana brownies (made by me) and carrot cakes (made by my fiancé). I’m pointing them out just because I’m so awfully proud of them.

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I’ve been finding it great fun being out in town during the day on weekends and chatting to customers and other stall holders, as well doing a bit of treasure hunting of my own. Some recent finds include a 1960s velvet long pencil skirt, a vintage plate (which we borrowed for displaying our cake but couldn’t resit buying in the end), and a pair of 1960s long gloves that I’m going to use for a few photoshoots. Oh and the scarf clip that I’m using as a choker pendant in the photos above!

I’m aware that my Etsy boutique stock is running very, very low now so hopefully in the next couple of weeks I’ll be able to put up all the lovely new vintage things that are waiting to go on the shop. If you go to this photo album on my Facebook page, you can also find some of the dresses and accessories that aren’t listed on the online shop (both vintage and contemporary).

I was at the National Botanic Gardens yesterday, visiting the lovely Victorian white and glass greenhouses.  It started raining later in the afternoon (it further snowed today…), but fortunately it was warm in the greenhouses as they kept tropical plants. I’ll post some photos from the excursion soon.

(The choker is a DIY creation from a good few years ago, with a scarf clip added as a pendant here, which I bought from fellow stallholder Moira, who has the most delightful and intriguing vintage jewellery pieces, at the Ha’penny Flea Market. The lace blouse top is Topshop, and the black dress is an old one of mine that was made in Japan.)

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Happy March! I haven’t been posting much here and on the Etsy shop, but have been updating a bit on the Facebook page, mainly because I’ve been busy selling at some local Dublin markets and fairs, and Facebook was the quickest way for me to put up random plain shots of clothes…

I do have a huge backlog of photoshoots and stories to put up here, which I’ll be getting around to, soon, I promise! I’m considering some new features for the blog, which will take a little planning as well.

But in the meantime, here are some photos of a vintage Viyella black and white pleated skirt, which I acquired for the shop on a recent trip to Belfast and is now available (it’s a Size M/L). The top is a vintage 1970s short peignoir with appliqués and chiffon ruffles (you can see a full photo of it on the Facebook page), which, alas, has been sold at a market a week ago. The vintage maroon gloves were purchased a few years ago at my favourite Dublin vintage shop Lucy’s Lounge, and the shoes are Zara.

I think I’ll be sharing some photos from the recent markets in the next post!

Top: 1970s vintage short chiffon peignoir, Pretty Bones Jefferson

Skirt: 1980s vintage wool blend black and white plaid pleated skirt, Pretty Bones Jefferson

Gloves: vintage, Lucy’s Lounge

Shoes: black fabric heels, Zara

Birthday Post: A Series of “Inverted” Traditions

white and lavender Victorian wedding dress, Alice in Wonderland, Lute al-Raad

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I had my birthday shortly after New Year’s. It was a nice day and very quiet. I’m a strong believer in non-celebration of one’s birthday; except in the form of giving away presents, instead of receiving presents on the day, in a sort of “Hobbit” fashion as famously penned by J. R. R. Tolkien, who in addition happens to share the same birthday with me. I’ve found that giving away presents on my birthday eases the pressure of…well, ageing. The way that I see it, is that on my birthday I should of all people remember to be grateful that I was born, and that one way to mark this sentiment is through giving.

So you may imagine that no gifts came in through the door on my birthday, but instead, gifts went! As I didn’t get to arrange to meet up with friends this time on my birthday, I had to give away very few specific “birthday presents” (may I secretly say, whew!?). But, there was one gift that went out which meant a lot to me and absolutely, definitively made my day.

It was an engagement ring for my fiancé:

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We’ve been engaged for already over a year, but I had only bravely thought of getting him a ring in the last few weeks, the conventions of the English-speaking world having been strongly in the way in the meantime. I wasn’t sure if he would like the idea, although I loved it. I thought that it would be only fair for both us to have something special to help us think of each other; and also, shouldn’t gentlemen get to wear nice things, too?

Much to my delight, he liked the idea!

I found this vintage/antique lapis lazuli ring at Zenkat Vintage, an Etsy shop based in Canada. For some reason, this time I just knew that I had to get the ring on Etsy, because I wanted the ring to be either custom-made or vintage, and because I wanted it to be from “somewhere else”; I was set on it. It took me sometime to decide on which stone to look for, deliberating between turquoise and lapis lazuli, both of which are birthstones of my fiancé’s that I thought were nice (blue topaz is often irradiated to achieve the colour, while tanzanite is modern – 2002!), but in the end I was in love with lapis lazuli and thought the dark blue would be a subtler colour for a gentleman. It’s also very Middle Eastern, which I thought would be a fitting way to carry over my heritage; as well as being quite the signature colour of Harry Clarke, my favourite early 20th century stained glass artist and illustrator.

Strangest geinus: the complete stained glass of Harry Clarke (Lucy Costigan and Michael Cullen, 2010)

Katherine at the Zenkat Vintage was the kindest shop owner and let me reserve the ring for a week before purchase. I would have been very much at loss if I missed it, for it was the only ring on Etsy that I connected with and had that genuine (in Katherine’s own words, too) Edwardian/Victorian look, that Jeg and I did wish for. I’m not sure how old the ring is, but it was definitely handmade, possessing these very personal irregularities that we adore, and Katherine thinks it’s early 20th century.

Another amazing thing was that the ring was exactly the right size – what can I say? And, it arrived just the day before my birthday ready to be given, which I wasn’t even counting on…and Jeg loved it!

I must post a photo of the ring on his hand next time, when we’ve gotten a chance to take some; but here first is a sneaky photo of it on me, before it was presented to its rightful owner:

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My own ring is garnet (my birthstone) and peridots, custom designed and made at Neil Conway Jewellers in Dublin; but of course I’ve enjoyed it for a year already…

While engaging in these activities – giving presents on my birthday, looking for a ring for my beau – I’ve been thinking about the extent to which we’re confined by traditions in our circles, our countries, our little worlds; which is indeed a thought never very far from my mind. In particular when I realise that those two things that I was doing would be more or less perceived as “inverting” traditions, while it might not always be so when one looks at it from a more universal perspective. For instance, in many places of the Middle East, where my father’s family were from, as well as in Central Asia, a great number of people traditionally don’t observe birthdays – and then, we have the Hobbits, of course, who do exactly what I do for birthdays. With regards to engagement rings, the Scandinavian tradition and (I think) the Dutch tradition (where my mother’s family were from sometime ago) is for the couple to both get rings for the engagement, although they’d be plain bands instead of fancy ones – which was how a lovely blogger lady from Sweden, Annika, threw most almost everybody off when she posted a picture of her and her fiancé wearing gold bands (English-speaking friends panicked: “Annika you’re marrieeed…!!!”).

And because I wasn’t born into the English-speaking world but rather arrived here through a series of accidents and events by choice, I’m realising that I would be very sad if I were ever to become overly “confined”. I’ve always been a little wary of conventions, and in more recent times, it has become a necessity for me to get down to the bottom of them – including, of course, the myth about diamond for engagement rings – and to explore what, as a combination result of my own personal beliefs, preferences, and perceptions, and the traditions from my own backgrounds and the traditions in the “world” that I live in, will be a meaningful decision for me.

I guess there isn’t an easy way to look past what’s been offered to us at hand, but then, life is all about exploring and reflecting. I believe we can all benefit from keeping our eyes and minds open, by reading, listening, and travelling. By learning new languages – which I still haven’t done enough in my lifetime – and being ready to reconsider and re-imagine the ways we can lead our lives.

For the moment my fiancé and I have decided to set our own rules about occasions for gift-giving. Christmas gifts are out. But surprise gifts are in. Original drawings always the best.

I thought to post this outfit shoot here as it reminds me of a birthday “tradition” that I find adorable, despite my not putting it into practice, which is for young girls to dress up princess-like for their birthday (oh, I suppose I’m thinking about Frances Hodgson Burnett’s Little Princess on her birthday, or Oscar Wilde’s Infanta?).

To say a little more about the dress, it’s a recent addition to my shop, a truly rare vintage 80s custom-made wedding/event dress in Victorian style, with yards and yards of ribbons and lace, and intriguing details. The teardrop earrings were self-made, from some five? years ago. We took the photos in the Merrion Square Park (which is across from Oscar Wilde’s family house), just when the sun was setting!

Buildings behind Merrion Square Park, Dublin Ireland

(Photos by JEG)

Somber Mood, Art Deco Silk

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image_2image_3image_4At the moment I don’t have much of an idea what to do with the “holidays”. I’ve been harbouring some deep reservations about Christmas as an unquestioned tradition in the English-speaking world, on the points of its origin and purpose, and seeking to understand how I truly feel about man-made customs that are close upon rules; therefore I’m trying not to engage in the festivities, but rather hoping to use this time for some thinking, reading, and sewing, the success of which is yet to be seen.

(Top: [artificial] silk shirt, vintage 70s/80s by Grege Paris, available in my shop

Skirt: vintage 70s by Kriss, charity shop

Necklace: Discount jewellery shop, city centre Dublin)

And as always I’ll be working on putting up some new listings in the shop. This vintage shirt in the photos is one of the new arrivals and definitely one of my favourite from the shop collection so far. It’s simply so classy and…Art Deco glamorous, with the triangular front design, silky texture and satin panels. And it’s French.

…For some reason this picture is beginning to appear appropriate to me how coming to the new year should feel – plain clear tones, with a touch of old glamour, something with a silent museum quality.